Works exploring pressure, restraint, and psychological proximity.
Drawing, photography, and digital processes are treated as material rather than .
Pink Self Portrait
Oil stick and oil pastel on paper.
Built through layered accumulation, the figure carries a second presence beneath the surface. Stipple, gesture, and pressure allow the body to emerge not as a single image, but as multiple states held in tension.
Graphite Noir, City Images
Digitally authored works developed from original photographic observations. Drawing, photography, and digital processes are treated as material, producing images that exist between observation, memory, and intervention.
Authored AI-assisted digital print.
From original photographic studies.
Dre and Roman
Constructed Portraits
Digitally authored portraits developed from composite photographic references.
Authored AI-assisted digital prints
Descent
Market
Field Notes
Photographs made while moving through the city–pauses, interruptions, fragments. These images function as a visual notebook: a way of tracking light, surface, rhythm, and mood as they appear, disappear, and reappear across daily life.
Displacement
Red Field
The City Was Already Pink
Made during the development of Between Rage and Serenity, these photographs follow a small self-portrait card through New York. Carried from neighborhood to neighborhood, the image was repeatedly encountered in unexpected alignments of color, light, signage, architecture, and atmosphere. Less a documentation project than a field study, the series traces the realization that the exhibition’s visual language was already present in the city itself.
Lineage
Held Force
Held Force
Charcoal on paper
Forms accumulate through pressure and containment.
Marks, erased and reasserted build a field where force is held in place.
The image resists resolution, settling between structure and collapse.
Contact
For inquiries regarding available works, acquisitions, exhibitions, or to learn where the work can be seen in person, please use the form below.
Curatorial and institutional inquiries are welcome.
gposley@gmail.com